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「見立廿四孝 呉猛（ごもう）」「磯熊」四代目大谷友右衛門、 「にしきゞ」二代目尾上菊次郎
Wu Meng (Go Mô): (Actors Ôtani Tomoemon IV as) Isoguma and (Onoe Kikujirô II as) Nishikigi, from the series Matches for the Twenty-four Paragons of Filial Piety (Mitate nijûshi kô)
「見立廿四孝 呉猛（ごもう）」「磯熊」四代目大谷友右衛門、 「にしきゞ」二代目尾上菊次郎
Japanese
Edo period
1855 (Ansei 2), 6th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 35 x 24.3 cm (13 3/4 x 9 9/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.36627
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Tokyo Metropolitan Library db 5714-C120
DescriptionImaginary performance (mitate).
（見立）
（見立）
Signed
Ichiyûsai Kuniyoshi ga
一勇斎国芳画
一勇斎国芳画
Marks
Censor's seals: aratame, Hare 6
No blockcutter's mark
改印：改、卯六
彫師：なし
No blockcutter's mark
改印：改、卯六
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.