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Actors, from right: Nakamura Tomijûrô II as Minazuru-hime, Nakamura Tamasuke I as Kiichi Hôgen, Mimasu Gennosuke I as the Footman (Yakko) Chienai, and Nakamura Karoku I as Ushiwakamaru


右から 「皆鶴姫 中村富十郎」(二代目) 「鬼一法眼 中村梅玉」(初代) 「奴智恵内 三枡源之助」(初代) 「牛若丸 中村歌六」(初代)
Gochôtei Sadamasu I (Kunimasu) (Japanese, active 1834–1852)
Publisher: Tenmaya Kihei (Tenki) (Japanese)
Japanese
Edo period
1837 (Tenpô 8), 9th month

Medium/Technique Woodblock print (nishiki-e); ink and color on paper
Dimensions Vertical ôban tetraptych; 37.5 x 101.8 cm (14 3/4 x 40 1/16 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.36008a-d
NOT ON VIEW
ClassificationsPrints

Catalogue Raisonné Kitagawa, "Bosuton bijutsukan shozô Kamigata-e mokuroku" (Kansai daigaku, 2007), p. 103; Ikeda bunko, Kamigata yakusha-e shûsei, vol. 3 (2001), #113; Kamigata yakusha-e no sekai (2001), #74; Tsubouchi Memorial Theatre Museum, Zenki Kamigata-e (1995), #584
DescriptionPlay: Kiichi Hôgen Sanryaku no Maki
Theater: Naka
鬼一法眼三略巻(きいちほうげんさんりゃくのまき)

Signed Gochôtei Sadamasu ga (on each sheet)
五蝶亭貞升画
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.