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「名所江戸百景 日本橋雪晴」
DEACESSIONED October 25, 2012
Nihonbashi, Clearing After Snow (Nihonbashi yukibare), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)
「名所江戸百景 日本橋雪晴」
Japanese
Edo period
1856 (Ansei 3), 5th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; about 38.1 × 25.4 cm (15 × 10 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.35854
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Sakai, Hiroshige Edo fûkei (1996), list #12.84, pls. 295, 296; Smith & Poster, 100 Views (1986), #1; Ukiyo-e shûka 14 (1981), Hiroshige list, p. 250, vertical ôban #62.83
DescriptionNo. 001 (spring section) on the title page for the series.
MFA impressions: 11.16720, *11.35854 (deaccessioned in 2012), 11.36876.76, RES.21.392
MFA impressions: 11.16720, *11.35854 (deaccessioned in 2012), 11.36876.76, RES.21.392
Signed
Hiroshige ga
広重画
広重画
Marks
Censor's seals: aratame, Dragon 5
No blockcutter's mark
改印：改、辰五
彫師：なし
No blockcutter's mark
改印：改、辰五
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.