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「名所江戸百景 上野山した」
Ueno Yamashita (Ueno Yamashita), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)
「名所江戸百景 上野山した」
Utagawa Hiroshige I (Japanese, 1797–1858)
Or: Utagawa Hiroshige II (Shigenobu) (Japanese, 1826–1869)
Publisher: Uoya Eikichi (Japanese)
Or: Utagawa Hiroshige II (Shigenobu) (Japanese, 1826–1869)
Publisher: Uoya Eikichi (Japanese)
Japanese
Edo period
1858 (Ansei 5), 10th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 37.2 x 25.1 cm (14 5/8 x 9 7/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.35842
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Sakai, Hiroshige Edo fûkei (1996), list #12.17, pl. 152; Smith & Poster, 100 Views (1986), #12; Ukiyo-e shûka 14 (1981), Hiroshige list, p. 250, vertical ôban #62.15
DescriptionNo. 012 (spring section) on the title page for the series. This print is one of three in the series sometimes attributed to Hiroshige II because they were published in the month following the death of Hiroshige I.
MFA impressions: 11.16744, 11.35842, 11.36876.11, 21.9446
MFA impressions: 11.16744, 11.35842, 11.36876.11, 21.9446
Signed
Hiroshige ga
広重画
広重画
Marks
Censor's seal: Horse 10
No blockcutter's mark
改印：午十
彫師：なし
No blockcutter's mark
改印：午十
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.