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「浪花百景 さくらの宮景」
View of the Sakura-no-miya Shrine (Sakura-no-miya kei), from the series One Hundred Views of Osaka (Naniwa hyakkei)
「浪花百景 さくらの宮景」
Isshusai Kunikazu (Japanese, active about 1848–1868)
Publisher: Ishikawaya Wasuke (Ishiwa) (Japanese)
Publisher: Ishikawaya Wasuke (Ishiwa) (Japanese)
Japanese
Edo period
early 1860s (Bunkyû era)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical chûban; 24.8 x 17.6 cm (9 3/4 x 6 15/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.35772
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Kubo Tsunehiko and Sons Collection Ukiyo-e Hanga (2004), #23-21; Osaka Castle Museum, Tokubetsuten Naniwa hyakkei (1995), #21 Kitagawa, "Bosuton bijutsukan shozô Kamigata-e mokuroku" (Kansai daigaku, 2007), p.126
DescriptionMFA impressions: 11.35772, 11.41870, 11.41937
Signed
Kunikazu ga
国員画
国員画
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.