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「浪花名所百景」（浪花百景） 目録
One of two title pages for the series One Hundred Views of Osaka (Naniwa hyakkei)
「浪花名所百景」（浪花百景） 目録
Publisher: Ishikawaya Wasuke (Ishiwa) (Japanese)
For: Ichiyôtei Yoshitaki (Japanese, 1841–1899)
For: Isshusai Kunikazu (Japanese, active about 1848–1868)
For: Nansuitei Yoshiyuki (Japanese, 1835–1879)
For: Ichiyôtei Yoshitaki (Japanese, 1841–1899)
For: Isshusai Kunikazu (Japanese, active about 1848–1868)
For: Nansuitei Yoshiyuki (Japanese, 1835–1879)
Japanese
Edo period
early 1860s (Bunkyû era)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical chûban; 24.5 x 17.8 cm (9 5/8 x 7 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.35724
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Kitagawa, "Bosuton bijutsukan shozô Kamigata-e mokuroku" (Kansai daigaku, 2007), p. 126; Kubo Tsunehiko and Sons Collection Ukiyo-e Hanga (2004), #23
Signed
Unsigned
無款
無款
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.