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「浪花百景 住よし大和橋」
Yamato-bashi Bridge in Sumiyoshi ( Sumiyoshi Yamato-bashi), from the series One Hundred Views of Osaka (Naniwa hyakkei)
「浪花百景 住よし大和橋」
Japanese
Edo period
early 1860s (Bunkyû era)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical chûban; 24.5 x 17.8 cm (9 5/8 x 7 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.35680
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Kitagawa, "Bosuton bijutsukan shozô Kamigata-e mokuroku" (Kansai daigaku, 2007), p. 127; Kubo Tsunehiko and Sons Collection Ukiyo-e Hanga (2004), #23-90; Osaka Castle Museum, Tokubetsuten Naniwa hyakkei (1995), #90
Signed
Yoshitaki hitsu
芳瀧筆
芳瀧筆
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.