Although trained in traditional silversmithing, Robert Ebendorf, like other craft artists in the 1960s, sought to break away from the Modernist tenets of functionality and "good design" in search of greater personal expression. Drawing inspiration from Cubism and the Dada movement, Ebendorf explored collage, assemblage, and the use of "found" or ready-made objects, often making jewelry from worthless materials he juxtaposed for their narrative and emotional associations. Transforming bits of detritus-rusty tin cans, recycled beads, and old photographs-into jewelry loaded with social commentary, Ebendorf sought to redefine the boundaries and purpose of body adornment.

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