Advanced Search 
Covered pitcher (one of a pair)
Lewis Cary (American, 1798–1834)
1828
Object Place: Boston, Massachusetts, United States
Medium/Technique
Silver
Dimensions
31.8 x 30.2 x 19.2 cm (12 1/2 x 11 7/8 x 7 9/16 in.); Diameter base 14.3 cm (5 5/8 in.)
Credit Line
Gift of Charles P. and Henry Lyman, and Richard Warren in memory of Cora Lyman Warren
Accession Number1991.249
NOT ON VIEW
CollectionsAmericas
ClassificationsSilver hollowware
These impressive pitchers were presented as a gift to Brig. Gen. Theodore Lyman Jr. upon his resignation from the Third Brigade of the First Division of the Ancient and Honorable Artillery Company. The expansive size, in addition to the presentation of not one but a pair of grandly decorated vessels, underlines the importance of both the recipient and the occasion.
Like Cary’s creampot (cat. no. 183), the Lyman pitchers were produced using handwork and machine work. The hand-raised, repousséd, and chased bodies, as well as the individually cast and cold-chased finials and handles, represent hours of labor. The wide and narrow die-rolled bands covering the junctures and rims of the pitchers are machined ornament that was readily available to the silversmith by the first decades of the nineteenth century.
In contrast to the reserved gadrooned bands that quietly define the creampot’s form, the bold floral bands of the pitchers compete for attention with their profiles. The remaining polished areas serve mainly as foils for the visually commanding ornament.
This text has been adapted from "Silver of the Americas, 1600-2000," edited by Jeannine Falino and Gerald W.R. Ward, published in 2008 by the MFA. Complete references can be found in that publication.
Like Cary’s creampot (cat. no. 183), the Lyman pitchers were produced using handwork and machine work. The hand-raised, repousséd, and chased bodies, as well as the individually cast and cold-chased finials and handles, represent hours of labor. The wide and narrow die-rolled bands covering the junctures and rims of the pitchers are machined ornament that was readily available to the silversmith by the first decades of the nineteenth century.
In contrast to the reserved gadrooned bands that quietly define the creampot’s form, the bold floral bands of the pitchers compete for attention with their profiles. The remaining polished areas serve mainly as foils for the visually commanding ornament.
This text has been adapted from "Silver of the Americas, 1600-2000," edited by Jeannine Falino and Gerald W.R. Ward, published in 2008 by the MFA. Complete references can be found in that publication.
DescriptionThe raised bulb-shaped body is decorated with repoussé-chased leaves arranged in four panels at the base. An inset circle of silver that carries an additional inscription is inserted under each short-stemed, molded foot. Die-rolled floral bands ornament the base and neck of both pitchers. A broad, curved spout is applied over plain piercings; the domed cover is hinged at back and finished with a "basket of flowers" finial. The crolled handle is highly ornamented and textured.
Marks
"L. CARY" stamped in uppercase Roman letters in a rectangle on the neck to the left of the handle.
Inscriptions"Presented to / Brigadier General Lyman / by the Officers of the / Boston Brigade / May 1828." On the bottom: "Chosen / Brigadier General / February 17, 1823. / Resigned November 9th / 1827 "
ProvenanceThe pitchers descended from Brigadier General Theodore Lyman, Jr. (1792-1849) [m. Mary Elizabeth Henderson 1821] to their son Colonel Theodore Lyman (1833-1897) [m. Elizabeth Russell 1851/6] to their son Dr. Henry Lyman (b. 1878) [m. Elizabeth Cabot 1907] to their children Cora (1910-1982) [m. Dr. Richard Warren 1933], Charles Peirson (b. 1912) and Henry (b. 1915).