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Tray, part of ten-piece punch service
about 1864
Object Place: New York, New York, United States
Medium/Technique
Silver
Dimensions
Overall: 4.2 cm, 1.63 kg, 41 cm (1 5/8 in., 3.59 lb., 16 1/8 in.)
Credit Line
Gift of Elizabeth Roome Luquer in memory of her grandfather, General Charles Roome
Accession Number1984.463
NOT ON VIEW
CollectionsAmericas
ClassificationsSilver hollowware
This lavish presentation punch service is distinguished by Neoclassical ornament and elaborate inscriptions. It consists of a footed bowl, tray, six goblets, a strainer, and a ladle. Its small, practical size suggests that it was intended for personal use, serving an intimate party of celebrants in a private setting rather than a crowd for a public occasion. The service was offered in 1864 to Col. Charles Roome by the 37th New York Militia, the regiment he commanded at the defense of Baltimore in 1862. Colonel (later General) Roome was a prominent Mason and served as president of both the Consolidated Gas Company and the St. Nicholas Society of New York City.
The service is an example of the high level of craftsmanship that continued in the silver trade past midcentury, evident in the judicious combination of modern manufacturing techniques and skilled handwork. The highly polished, plain surface of the hemispherical, spun bowl contrasts with the hand-chased complexity of the grotesque heads holding the unusual oval loop handles. Each element of the seven-part inscription is engraved in a different style, with the name of the recipient dominating in decorated Gothic-style letters. Silver remained a favorite medium for public testimonials during the nineteenth century. Tiffany & Co. produced many presentation and commemorative pieces and borrowed one hundred such examples to exhibit at the Philadephia Centennial Exhibition in 1876. This set was executed by the shop of Edward C. Moore, who for forty years guided the Tiffany silver business as designer and manager.
This text has been adapted from "Silver of the Americas, 1600-2000," edited by Jeannine Falino and Gerald W.R. Ward, published in 2008 by the MFA. Complete references can be found in that publication.
The service is an example of the high level of craftsmanship that continued in the silver trade past midcentury, evident in the judicious combination of modern manufacturing techniques and skilled handwork. The highly polished, plain surface of the hemispherical, spun bowl contrasts with the hand-chased complexity of the grotesque heads holding the unusual oval loop handles. Each element of the seven-part inscription is engraved in a different style, with the name of the recipient dominating in decorated Gothic-style letters. Silver remained a favorite medium for public testimonials during the nineteenth century. Tiffany & Co. produced many presentation and commemorative pieces and borrowed one hundred such examples to exhibit at the Philadephia Centennial Exhibition in 1876. This set was executed by the shop of Edward C. Moore, who for forty years guided the Tiffany silver business as designer and manager.
This text has been adapted from "Silver of the Americas, 1600-2000," edited by Jeannine Falino and Gerald W.R. Ward, published in 2008 by the MFA. Complete references can be found in that publication.
DescriptionThe circular tray is wreathed with an engraved grapevine; edged with an applied egg-and-dart band along the molded rim; and set on four cast scrolled feet.
Marks
“TIFFANY & CO.” within an arched reserve; “1181” incuse; “ENGLISH STERLING / 925-1000” within a conforming reserve; “9931”incuse; “550 Broadway” within an arched reserve; and Gothic “M” in an ellipse struck twice, flanking the whole, all struck on underside of tray.
Inscriptions"Presented / to / Colonel Charles Roome / by / the 37th Regiment National Guard / State of New York / December 1864" centered around the arms and crest of the 37th New York Regiment, with “37” at the center, surrounded by the Order of the Garter, engraved in Latin, and a crest of a raised knight’s arm holding a hatchet, on a torse.
ProvenanceCol. Charles Roome (1812 – 1890) to his son; to his daughter Elizabeth Roome Luquer, the donor.