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Thumbnail-size images of copyrighted artworks are displayed under fair use, in accordance with guidelines recommended by the Code of Best Practices in Fair Use for the Visual Arts, published by the College Art Association in February 2015.
A Modern Pilgrim's Print Book
Tod Lindenmuth (American, 1885–1976)
Blanche Lazzell (American, 1878–1956)
Karl Knaths (American, 1891–1971)
Charles Anton Kaeselau (American (born in Sweden, 1889))
Oliver Chaffee (American, 1881–1944)
Agnes Weinrich (American, 1873–1946)
V. B. Rann (American, 1897–1956)
Saul Yalkert (American, 20th century)
Shelby Shackelford (American, 1899–1987)
E. R. Euler (American, 20th century)
Ada Gilmore Chaffee (American, 1883–1955)
Publisher: Provincetown Art Association and Museum, MA
Blanche Lazzell (American, 1878–1956)
Karl Knaths (American, 1891–1971)
Charles Anton Kaeselau (American (born in Sweden, 1889))
Oliver Chaffee (American, 1881–1944)
Agnes Weinrich (American, 1873–1946)
V. B. Rann (American, 1897–1956)
Saul Yalkert (American, 20th century)
Shelby Shackelford (American, 1899–1987)
E. R. Euler (American, 20th century)
Ada Gilmore Chaffee (American, 1883–1955)
Publisher: Provincetown Art Association and Museum, MA
1935
Place of Publication: Provincetown, Massachusetts, USA
Medium/Technique
Illustrated book with eleven relief prints (linocuts and woodcuts)
Dimensions
Overall: 21.6 x 14.5 x 0.3 cm (8 1/2 x 5 11/16 x 1/8 in.)
Credit Line
Museum purchase with funds donated by Hope and Charles Hare
Accession Number2002.190
NOT ON VIEW
CollectionsAmericas, Prints and Drawings
ClassificationsIllustrated books
Provincetown: Paul Smith, in cooperation with the Provincetown Art Association, 1935
Description(Provincetown: Paul Smith, in cooperation with the Provincetown Art Association, 1935) 21.6 cm; [12 ff.]; original publisher's printed paper wrappers (gray manila folder, green cloth spine).
From the Foreword by Mrs. Harold Haven Brown and Paul Smith: "In contemporary times linoleum has come to rival wood as a medium for carving, and most of our blocks use it.... But the impressions you hold in your hands were made direct from the artist's block without any interference from modern photo-engraving." The eleven plates follow, with short biographical captions facing each print.
From the Foreword by Mrs. Harold Haven Brown and Paul Smith: "In contemporary times linoleum has come to rival wood as a medium for carving, and most of our blocks use it.... But the impressions you hold in your hands were made direct from the artist's block without any interference from modern photo-engraving." The eleven plates follow, with short biographical captions facing each print.
ProvenanceMiss Irma Easley, Provincetown, MA, 1971, from whom purchased by Dr. Peter Martin, Washington, DC; 2002, sold by Peter Martin to the MFA. (Accession date: June 26, 2002)