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San Giorgio Maggiore: from the Bacino di San Marco
Canaletto (Giovanni Antonio Canal) (Italian (Venetian), 1697–1768)
about 1726–30
Medium/Technique
Oil on canvas
Dimensions
46.3 x 63.2cm (18 1/4 x 24 7/8in.)
Framed: 60.3 x 76.8 x 6.4 cm (23 3/4 x 30 1/4 x 2 1/2 in.)
Framed: 60.3 x 76.8 x 6.4 cm (23 3/4 x 30 1/4 x 2 1/2 in.)
Credit Line
Bequest of William A. Coolidge
Accession Number1993.34
NOT ON VIEW
CollectionsEurope
ClassificationsPaintings
The Benedictine church of San Giorgio Maggiore, a masterpiece by Andrea Palladio begun in 1566, occupies its own island in the Venetian lagoon near Saint Mark’s Square (Bacino di S. Marco). The church features prominently in the work of Canaletto and his Venetian contemporaries who specialized in city views, known as vedute. Canaletto carefully composed the various elements of the painting, framing the composition with picturesque clusters of boats.
ProvenancePossibly acquired from the artist by Prince Joseph Wenceslaus of Liechtenstein (b. 1696 - d. 1772), Vienna; by 1873 until about 1948, Princes of Liechtenstein collection, Vienna and Vaduz, Liechtenstein; about 1948, probably sold by Franz Joseph II, Prince of Liechtenstein (b. 1906 - d. 1989) through his agent, Josef Farago (d. 1965) [see note 1]. 1956, Thos. Agnew and Sons, Ltd., London; 1956, sold by Agnew to William A. Coolidge (b. 1901 - d. 1992), Topsfield and Cambridge, MA; 1993, bequest of William A. Coolidge to the MFA. (Accession Date: January 27, 1993)
NOTES:
[1] For further discussion of the provenance of this painting, see Peter C. Sutton, "The William Appleton Coolidge Collection" (Boston, 1993), cat. no. 11, pp. 63-65. While it is thought to have been acquired by Prince Joseph Wenceslaus in the 18th century, the painting cannot be securely identified in the princely collections until 1873. Its companion, depicting the Grand Canal, Venice, from Santa Maria della Carità (sale, Sotheby's, London, May 30, 1991, lot 61) remained in the Princes of Liechtenstein collection until 1948.
NOTES:
[1] For further discussion of the provenance of this painting, see Peter C. Sutton, "The William Appleton Coolidge Collection" (Boston, 1993), cat. no. 11, pp. 63-65. While it is thought to have been acquired by Prince Joseph Wenceslaus in the 18th century, the painting cannot be securely identified in the princely collections until 1873. Its companion, depicting the Grand Canal, Venice, from Santa Maria della Carità (sale, Sotheby's, London, May 30, 1991, lot 61) remained in the Princes of Liechtenstein collection until 1948.