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Selections from Truisms, Inflammatory Essays, The Living Series, The Survival Series, Under a Rock, Laments, and Child Text
Jenny Holzer (American, born in 1950)
1991
Medium/Technique
L.E.D. (light-emitting diode) electronic-display signboard in three colors (yellow, green, red).
Dimensions
Overall (light box): 23.8 x 366.1 x 6.5 cm (9 3/8 x 144 1/8 x 2 9/16 in.)
Overall (transformer box): 17.8 x 109.2 x 9.5 cm (7 x 43 x 3 3/4 in.)
Overall (transformer box): 17.8 x 109.2 x 9.5 cm (7 x 43 x 3 3/4 in.)
Credit Line
Ernest Wadsworth Longfellow Fund
Accession Number1991.1099
NOT ON VIEW
CollectionsContemporary Art, Americas
ClassificationsElectronic media
In 1977 Holzer created Truisms, her first all-text compositions. She typed "one-liners," had them printed commercially, and pasted them up as posters on the street. Later, Holzer placed her words on such familiar, ubiquitous objects as LED signs, T-shirts, and stickers. Variously insightful, hostile, or comic, these words and phrases express multiple viewpoints and arouse multiple responses. As the artist intended, numerous people have read her words and been amused, challenged, or provoked.
In 1990 the Museum of Fine Arts commissioned Holzer to create this LED sign for the collection. The artist chose to include excerpts from seven different series created between 1977 and 1990, each selection appearing in a different typeface and format. The words stream at varying speeds, and the tone is constantly changing-aggressive to mild, authoritative to questioning, practical to fear inducing. The result is a blend of familiarity and confusion that puts Holzer's artwork squarely in the modern age of advertising slogans, newspaper headlines, and sound bites.
In 1990 the Museum of Fine Arts commissioned Holzer to create this LED sign for the collection. The artist chose to include excerpts from seven different series created between 1977 and 1990, each selection appearing in a different typeface and format. The words stream at varying speeds, and the tone is constantly changing-aggressive to mild, authoritative to questioning, practical to fear inducing. The result is a blend of familiarity and confusion that puts Holzer's artwork squarely in the modern age of advertising slogans, newspaper headlines, and sound bites.
ProvenanceThe artist; with Barbara Gladstone Gallery, New York, 1991; to MFA, Boston, 1991
Copyright© 2017 Jenny Holzer / Artists Rights Society (ARS), New York.