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Thumbnail-size images of copyrighted artworks are displayed under fair use, in accordance with guidelines recommended by the Code of Best Practices in Fair Use for the Visual Arts, published by the College Art Association in February 2015.
Suburban Landscape
Maurice de Vlaminck (French, 1876–1958)
1905
Medium/Technique
Oil on canvas
Dimensions
60.3 x 73 cm (23 3/4 x 28 3/4 in.)
Credit Line
Gift and Bequest of David and Peggy Rockefeller
Accession Number1991.426
OUT ON LOAN
CollectionsEurope
ClassificationsPaintings
With exuberant, breathlessly applied color, Vlaminck transformed this view of an ordinary street in the Parisian suburbs into a kind of manifesto for the Fauves (literally “wild beasts”), an avant‑garde group whose name was coined in 1905 by a conservative critic who found their paintings uncivilized. While startling to critics, this mode of painting was not without precedents: Vlaminck incorporated the bold marks and non-naturalistic use of color he saw in works by the Neo-Impressionists and by Van Gogh with a favored motif of the Impressionists (a suburban street) to create an innovative new vision.
ProvenanceAmbroise Vollard (dealer; b. 1867 - d. 1939), Paris (stock no. 4674) [see note 1]. 1939, with Wildenstein and Co., London [see note 2]. About 1949, Galerie de l’Elysée, Paris [see note 3]. 1950, Wildenstein and Co., Paris and London; June 13, 1950, sold by Wildenstein to J. Schöni, Zurich. By 1952, Maurice Culberg (b. 1905 – d. 1953) and Ruth Culberg (b. 1906 – d. 1980), Chicago; February 27, 1962, sold by Ruth Culberg to M. Knoedler and Co., New York (stock no. A8207); April 17, 1962, sold by Knoedler to David Rockefeller, New York [see note 4]; 1991, fractional gift of David Rockefeller to the MFA; 2017, accessioned fully with the fractional gift and bequest of David and Peggy Rockefeller to the MFA. (Accession Dates: May 22, 1991 and June 21, 2017)
NOTES:
[1] According to Pascale Krausz, Françoise Marnoni, and Annie Champié, Vlaminck: catalogue critique des peintures et céramiques de la période fauve (Paris: Wildenstein Institute, 2008), p. 114, cat. no. 37. [2] Included in the “Exhibition of Two contrasting Periods in the work of Vlaminck,” Wildenstein, London, June 1939, cat. no. 11 (as "Nanterre"). [3] Information about the provenance of the painting between 1949 and 1950 is taken from the catalogue raisonné by P. Krausz et al. (as above, n. 1). [4] Getty Provenance Index, M. Knoedler and Co. Records, PI Record No. K-36379 (stock book 11, no. 8207, p. 136).
NOTES:
[1] According to Pascale Krausz, Françoise Marnoni, and Annie Champié, Vlaminck: catalogue critique des peintures et céramiques de la période fauve (Paris: Wildenstein Institute, 2008), p. 114, cat. no. 37. [2] Included in the “Exhibition of Two contrasting Periods in the work of Vlaminck,” Wildenstein, London, June 1939, cat. no. 11 (as "Nanterre"). [3] Information about the provenance of the painting between 1949 and 1950 is taken from the catalogue raisonné by P. Krausz et al. (as above, n. 1). [4] Getty Provenance Index, M. Knoedler and Co. Records, PI Record No. K-36379 (stock book 11, no. 8207, p. 136).
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