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Carousel Figure of a Pig
Attributed to: Gustav A. Dentzel Carousel Co. (active 1867–1928)
Carved by: Salvatore Cernigliaro ("Cherni") (American (born Sicily), 1879–1974)
Carved by: Salvatore Cernigliaro ("Cherni") (American (born Sicily), 1879–1974)
about 1905
Object Place: Philadelphia, Pennsylvania, United States
Medium/Technique
Basswood (Tilia americana), glass
Dimensions
Overall: 76.2 x 127 x 29.2cm (30 x 50 x 11 1/2in.)
Mount (Wooden base ): 8.9 x 20.3 x 66 cm (3 1/2 x 8 x 26 in.)
Mount (wooden post): 58.4 x 4.1 cm (23 x 1 5/8 in.)
Mount (Wooden base ): 8.9 x 20.3 x 66 cm (3 1/2 x 8 x 26 in.)
Mount (wooden post): 58.4 x 4.1 cm (23 x 1 5/8 in.)
Credit Line
Mary E. Moore Gift
Accession Number2001.545
NOT ON VIEW
CollectionsAmericas
ClassificationsSculpture
When carousels (or merry-go-rounds) were at their height of popularity in American entertainment, from the 1890s to the 1920s, as many as three thousand carousels were installed at amusement parks across the country. Many of the finest carvers of carousel animals were immigrants. In this case, the maker is Salvatore Cernigliaro, an American born Italian craftsman nicknamed "Cherni" or "Cherny." He is credited with introducing menagerie figures-including lions, tigers, zebras, and seahorses-to the line of the prominent Dentzel Carousel Company in Philadelphia.
This dynamic and charming pig, attributed to Cernigliaro, has rippled layers of muscle and fat under his chin and on his plump hindquarters, as well as perky ears, and a galloping posture that energizes his appearance. An acorn is tucked into one side of the figure’s riding saddle – perhaps as a reference to the typical food a woodland pig might eat. With open mouth and open stride, it is easy to imagine a child riding a carousel on this figure with gay abandon.
This dynamic and charming pig, attributed to Cernigliaro, has rippled layers of muscle and fat under his chin and on his plump hindquarters, as well as perky ears, and a galloping posture that energizes his appearance. An acorn is tucked into one side of the figure’s riding saddle – perhaps as a reference to the typical food a woodland pig might eat. With open mouth and open stride, it is easy to imagine a child riding a carousel on this figure with gay abandon.
DescriptionCarved and painted figure with black saddle and green blanket underneath; acorn with green leaves on one side; mottled beige body with brown spots. There are numerous losses to the paint on the body; saddle and blanket underneath repainted in modern times.
ProvenanceSaid to be in a private collection in Halifax, Massachusetts, by the 1930s; sold, Skinner, Bolton, Massachusetts, American Furniture and Decorative Arts Sale 2092, August 12, 2001, lot 241; purchased by the MFA.