Untitled harimaze sheet with seven designs, from right: Jumping Toys from Asakusa (Tondari-hanetari, TR), Capital Bird (Miyako-dori, BR), Calligraphy, Mimeguri Shrine in Moonlight (TC), Calligraphy (BC), Double Cherry Blossom (TL), Dried Flounder (BL)

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Untitled harimaze sheet with seven designs, from right: Jumping Toys from Asakusa (Tondari-hanetari, TR), Capital Bird (Miyako-dori, BR), Calligraphy, Mimeguri Shrine in Moonlight (TC), Calligraphy (BC), Double Cherry Blossom (TL), Dried Flounder (BL)

張交　飛んだりはねたり、都鳥、書、三囲、書、八重桜、鰈

Utagawa Hiroshige I (Japanese, 1797–1858)
Publisher: Yamadaya Shôjirô (Japanese)

Japanese

Edo period

1847–52 (Kôka 4–Kaei 5)

Medium/Technique Woodblock print (nishiki-e); ink and color on paper

Dimensions Horizontal aiban (harimaze); 22.5 x 34.1 cm (8 7/8 x 13 7/16 in.)

Credit Line Museum of Fine Arts, Boston—Worcester Art Museum exchange, made possible through the Special Korean Pottery Fund, Museum purchase with funds donated by contribution, and Smithsonian Institution—Chinese Expedition, 1923–24

Accession NumberRES.54.27

NOT ON VIEW

CollectionsAsia, Prints and Drawings

ClassificationsPrints

Catalogue Raisonné Ukiyo-e shûka 14 (1981), Hiroshige list, p. 242, aiban #18 (series of 17 prints, not listed individually)

Signed Hiroshige (on toys and landscape), Ryûsai (on bird and fish), Tôkai (on flower)
広重、立斎、東海

Marks Censors' seals: Kinugasa, Watanabe
No blockcutter's mark
改印：衣笠、渡辺
彫師：なし

Provenance1954, by exchange from Worcester Art Museum to the MFA. (Accession Date: April 8, 1954)