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「江之嶋」 「かなおか筆捨松」 「えんしの はんしやう」 「 さんしのせいらん」 「しやうせうよるのあめ」 「きよそんのせきせう」 「へいさの らくかん」 「ゑんほのきはん」 「とうていのあきつき」 「こうてんのぼせつ」
Actors on a Pleasure Boat, with Enoshima, the Pine Tree of Kanaoka's Discarded Brush (Kanaoka fudesute matsu), and the Eight Views: Evening Bell at a Distant Temple, Clearing Weather in a Mountain Village, Night Rain on the Xiao and Xiang, Sunset Glow at a Fishing VIllage, Descending Geese on a Sandbar, Autumn Moon on Lake Dongting, Evening Snow on the River (Enji no banshô, Sanshi no seiran, Shôshô yoru no ame, Gyoson no sekishô, Heisa no rakugan, Enpo no kihan, Dôtei aki tsuki, Kôten no bosetsu)
「江之嶋」 「かなおか筆捨松」 「えんしの はんしやう」 「 さんしのせいらん」 「しやうせうよるのあめ」 「きよそんのせきせう」 「へいさの らくかん」 「ゑんほのきはん」 「とうていのあきつき」 「こうてんのぼせつ」
Artist unknown, Japanese
Attributed to: Kondô Kiyoharu (Japanese, active 1700s–1730s)
Attributed to: Torii Kiyonobu I (Japanese, 1664–1729)
Attributed to: Kondô Kiyoharu (Japanese, active 1700s–1730s)
Attributed to: Torii Kiyonobu I (Japanese, 1664–1729)
Japanese
Edo period
about 1710
Medium/Technique
Woodblock print (tan-e); ink on paper, with hand-applied color
Dimensions
31.4 x 47.2 cm (12 3/8 x 18 9/16 in.)
Credit Line
Keith McLeod Fund
Accession Number64.2021
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionFor a very similar design by Torii Kiyonobu I, showing Eight Views of Kanazawa, see Chiba Art Mus., Shoki ukiyo-e ten (2016), cat no. 70. The Kiyonobu print has the title, signature, etc., along the right edge; similar information may have been cut off of this print.
Signed
Unsigned
無款
無款
Marks
Collector's seals: Hayashi Tadamasa, Wakai oyaji