Amicis suis necnon unicuique artium elegantiorum amatori, tabulas insequentes ludentis otii temporibus ligno incisas

John Skippe (English, 1741–1812)
After: Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, 1503–1540)
After: Raphael (Raffaello Sanzio or Santi) (Italian, 1483–1520)
After: Annibale Carracci (Italian (Bolognese), 1560–1609)
After: Lodovico Carracci (Italian, 1555–1619)
After: Michelangelo Buonarroti (Italian (Florentine), 1475–1564)
After: Baccio Bandinelli (Italian, 1493–1560)
After: Andrea Mantegna (Italian (Paduan, active in Mantua), about 1431–1506)
After: Titian (Tiziano Vecellio) (Italian (Venetian), about 1488–1576)
After: Jacopo Tintoretto (Jacopo Robusti) (Italian (Venetian), about 1518–1594)
After: Salvator Rosa (Italian, 1615–1673)
After: Peter Paul Rubens (Flemish, 1577–1640)
After: Correggio (Antonio Allegri) (Italian (Parmese), about 1489–1534)

1781[–1811]

Place of Publication: London, England

Medium/Technique Bound set of 35 chiaroscuro woodcuts

Dimensions Overall: 48 x 34 x 2 cm (18 7/8 x 13 3/8 x 13/16 in.)

Credit Line Bequest of W. G. Russell Allen

Accession Number63.768

NOT ON VIEW

CollectionsEurope, Prints and Drawings

ClassificationsPrints – Bound sets

[London: John Skippe] 1781[-1811]

Catalogue Raisonné LeBlanc III, p. 35

Description([London: John Skippe] 1781[-1811]) Folio; 33 leaves; contemporary gilt-stamped brown calf (rebacked)

Reproductions of old master drawings

ProvenanceW. G. Russell Allen, Boston (1882-1955), by whom bequeathed to MFA, June 19, 1963.