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弓を引く女神
Goddess Drawing a Bow
弓を引く女神
Katsushika Taito II (Japanese, active about 1810–1853)
Japanese
Edo period
about 1832 (Tenpô 3)
Medium/Technique
Woodblock print (surimono); ink and color on paper
Dimensions
Shikishiban; 20.8 x 18.3 cm (8 3/16 x 7 3/16 in.)
Credit Line
Nellie Parney Carter Collection—Bequest of Nellie Parney Carter
Accession Number34.328
OUT ON LOAN
On display at Nelson-Atkins Museum of Art, Kansas City, MO, September 21, 2024 – January 5, 2025
On display at Nelson-Atkins Museum of Art, Kansas City, MO, September 21, 2024 – January 5, 2025
CollectionsAsia, Prints and Drawings
ClassificationsPrints
This exotic beauty wears robes inspired by Indian clothing, in a setting whose furniture echoes Chinese styles. She is not clearly identified by the accompanying poems, which compare her feathered arrow to the feathers of a falcon in a lucky New Year dream. Possibly she represents Lady Kayō, a magical nine-tailed fox who took the form of a beautiful woman to seduce unwary rulers in India, China, and Japan. Her stance, weapon, and voluptuous figure are also reminiscent of Tibetan goddesses such as Red Tara, suggesting that the artist may have been inspired by a Tibetan image that somehow found its way to Japan.
Catalogue Raisonné
McKee, Colored in the Year's New Light (Becker coll. exh. ca., 2008), #98; Keyes, Art of Surimono (Chester Beatty cat., 1985), vol. 2, #336
DescriptionMFA impressions: 11.20412, 34.328
Poem translated in McKee 2008, p. 198; and Keyes 1985, vol. 2, p. 385.
Poem translated in McKee 2008, p. 198; and Keyes 1985, vol. 2, p. 385.
Signed
Katsushika Taito
葛飾戴斗
葛飾戴斗
InscriptionsPoem by Shôshôen (Komatsuen) Harundo: Hatsuyume o/ mitaru ashita no/ yumi no tsuru/ iza hanasabaya/ taka no ha no soya
Provenance1934, bequest of Nellie Parney Carter to the MFA. (Accession Date: October 4, 1934)