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「小倉擬百人一首 菅家 高雄」
Poem by Kanke (Sugawara Michizane): Takao, from the series Ogura Imitations of One Hundred Poems by One Hundred Poets (Ogura nazorae hyakunin isshu)
「小倉擬百人一首 菅家 高雄」
Utagawa Hiroshige I (Japanese, 1797–1858)
Publisher: Ibaya Senzaburô (Dansendô) (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Publisher: Ibaya Senzaburô (Dansendô) (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Japanese
Edo period
about 1845–48 (Kôka 2–Kaei 1)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.8 x 25 cm (14 1/2 x 9 13/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.30337
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Herwig and Mostow, The Hundred Poets Compared (2007), #24; Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S46.24
DescriptionNo. 24 from a series jointly designed by Hiroshige, Kunisada, and Kuniyoshi.
Signed
Hiroshige ga
広重画
広重画
Marks
Censor's seal: Kinugasa
Blockcutter's mark: Hori Take
改印：衣笠
彫師：彫竹
Blockcutter's mark: Hori Take
改印：衣笠
彫師：彫竹
InscriptionsPoem: Konotabiha/ nusamotoriaezu/ tekouyama/ momijinonishiki/ kaminomanimani
此のたびは ぬさもとりあへず 手向山 もみぢのにしき 神のまにまに
伊達染の紅葉に赤き心をあらハし 操ハ雪の松にたくらぶ 張と意気時に身を捨て 命を流せし三ツ又の噂ハ 末の世がたりとなりぬ
柳下亭種員筆記
此のたびは ぬさもとりあへず 手向山 もみぢのにしき 神のまにまに
伊達染の紅葉に赤き心をあらハし 操ハ雪の松にたくらぶ 張と意気時に身を捨て 命を流せし三ツ又の噂ハ 末の世がたりとなりぬ
柳下亭種員筆記
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.