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「小倉擬百人一首 式子内新王 久松 おそめ」
DEACESSIONED October 25, 2012
Poem by Shikishi Naishinnô: Hisamatsu and Osome, from the series Ogura Imitations of One Hundred Poems by One Hundred Poets (Ogura nazorae hyakunin isshu)
「小倉擬百人一首 式子内新王 久松 おそめ」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Ibaya Senzaburô (Dansendô) (Japanese)
Publisher: Ibaya Senzaburô (Dansendô) (Japanese)
Japanese
Edo period
about 1845–48 (Kôka 2–Kaei 1)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 35.3 x 24.8 cm (13 7/8 x 9 3/4 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.30443
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Herwig and Mostow, The Hundred Poets Compared (2007), #89; Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S46.89
DescriptionNo. 89 from a series jointly designed by Hiroshige, Kunisada, and Kuniyoshi.
MFA impressions: 11.28598, *11.30443 (deaccessioned in 2012)
MFA impressions: 11.28598, *11.30443 (deaccessioned in 2012)
Signed
Ôju Toyokuni ga, in toshidama cartouche
応需豊国画(年玉枠)
応需豊国画(年玉枠)
Marks
Censors' seals: Mera, Murata
No blockcutter's mark
改印：米良、村田
彫師：なし
No blockcutter's mark
改印：米良、村田
彫師：なし
InscriptionsPoem: Tama no o yo/ taenabe taene/ nagaraeba/ shinoburu koto no/ yowari mo zo suru
玉の緒よ たへなばたえね ながらえば しのぶることの よはりもぞする
身に困しめを見勢蔵ハ あけていハねど主の慈悲 土扉も重き親の恩とハ知りながら 凡悩の闇路にまよふ大晦日 窓にあやなき二人が顔ハ しのびかねたる泪ぞはかなき
柳下亭種員筆記
玉の緒よ たへなばたえね ながらえば しのぶることの よはりもぞする
身に困しめを見勢蔵ハ あけていハねど主の慈悲 土扉も重き親の恩とハ知りながら 凡悩の闇路にまよふ大晦日 窓にあやなき二人が顔ハ しのびかねたる泪ぞはかなき
柳下亭種員筆記
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.