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「百人一首乳母かゑとき 猿丸太夫」
Poem by Sarumaru Dayû, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
「百人一首乳母かゑとき 猿丸太夫」
Japanese
Edo period
about 1835–36 (Tenpô 6–7)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Horizontal ôban; 24.7 x 37 cm (9 3/4 x 14 9/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.30181
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Morse, Hokusai: The One Hundred Poets (1989), #5; Ukiyo-e shûka 16 (1981), p. 228, horizontal ôban #24.05
DescriptionNo. 5 in the series.
MFA impressions: 11.17685, 11.30181, 21.6721, 1989.674
MFA impressions: 11.17685, 11.30181, 21.6721, 1989.674
Signed
Saki no Hokusai Manji
前北斎卍
前北斎卍
Marks
Censor's seal: kiwame
改印：極
改印：極
InscriptionsPoem: Oku yama ni/ momiji fumiwake/ naku shika no/ koe kiku toki zo/ aki wa kanashiki
奥山に 紅葉ふみわけ 鳴く鹿の 声きくときそ 秋はかなしき
奥山に 紅葉ふみわけ 鳴く鹿の 声きくときそ 秋はかなしき
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.