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「小倉擬百人一首 藤原道信朝臣 およね 太平次」
Poem by Fujiwara Michinobu Ason: Oyone and Taheiji, from the series Ogura Imitations of One Hundred Poems by One Hundred Poets (Ogura nazorae hyakunin isshu)
「小倉擬百人一首 藤原道信朝臣 およね 太平次」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Ibaya Senzaburō (Dansendō) (Japanese)
Blockcutter: Matsushima Fusajirô (Horikô Fusajirô, Hori Fusa) (Japanese)
Publisher: Ibaya Senzaburō (Dansendō) (Japanese)
Blockcutter: Matsushima Fusajirô (Horikô Fusajirô, Hori Fusa) (Japanese)
Japanese
Edo period
about 1845–48 (Kôka 2–Kaei 1)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 37.2 x 25 cm (14 5/8 x 9 13/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.28599
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Herwig and Mostow, The Hundred Poets Compared (2007), #52; Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S46.52
DescriptionNo. 52 from a series jointly designed by Hiroshige, Kunisada, and Kuniyoshi.
MFA impressions: 11.28599, 11.30437
MFA impressions: 11.28599, 11.30437
Signed
Kôchôrô Toyokuni ga
香蝶楼豊国画
香蝶楼豊国画
Marks
Censor's seal: Murata
Blockcutter's mark: Horikô Fusajirô
改印：村田
彫師：彫工房次郎
Blockcutter's mark: Horikô Fusajirô
改印：村田
彫師：彫工房次郎
InscriptionsPoem: Akenureba/ kururumonotowa/ shirinagara/ naourameshiki/ asaburakekana
明けぬれば くるる物とは しりながら なほうらめしき 朝ぼらけかな
太平治が毒悪ハ 藪蚊の嘴よりも尖く 孫七が無敢命ハ 夏の夜よりも短し 欲に暗ミし 皐月闇 一寸先ハ見えざるべし
柳下亭種員筆記
明けぬれば くるる物とは しりながら なほうらめしき 朝ぼらけかな
太平治が毒悪ハ 藪蚊の嘴よりも尖く 孫七が無敢命ハ 夏の夜よりも短し 欲に暗ミし 皐月闇 一寸先ハ見えざるべし
柳下亭種員筆記
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.