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村山座辻番付 「比翼鶴千歳曽我（ひよくのつるせんざいそが）」、「初櫓潤色二番目（はつやぐらいろのにばんめ）」、「浄瑠璃 六歌仙狂画墨塗（ろくかせんきょうがのすみぬり）」、「浄瑠璃 新媛雛の世話事（あらぜたいひなのせわごと）」
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Kabuki Playbill (Tsuji banzuke) for Plays at the Murayama Theater: Hiyoku no Tsuru Senzai Soga, Hatsu Yagura Iro no Nibanme, Rokkasen Kyôga no Suminuri (Jôruri), Arazetai Hina no Sewagoto (Jôruri)
村山座辻番付 「比翼鶴千歳曽我（ひよくのつるせんざいそが）」、「初櫓潤色二番目（はつやぐらいろのにばんめ）」、「浄瑠璃 六歌仙狂画墨塗（ろくかせんきょうがのすみぬり）」、「浄瑠璃 新媛雛の世話事（あらぜたいひなのせわごと）」
Japanese
Meiji era
1872 (Meiji 5), 1st month
Medium/Technique
Woodblock print (sumizuri-e); ink on paper
Dimensions
33 x 57.9 cm (13 x 22 13/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.28209
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionPlay: Hiyoku no Tsuru Senzai Soga
Play: Hatsu Yagura Iro no Nibanme
Play (Jôruri): Rokkasen Kyôga no Suminuri
Play (Jôruri): Arazetai Hina no Sewagoto
Theater: Murayama
1872、壬申、明治０５、01・21 （）、
村山
比翼鶴千歳曽我（ひよくのつるせんざいそが）、４番続
初櫓潤色二番目（はつやぐらいろのにばんめ）、２番目、３幕
浄瑠璃 六歌仙狂画墨塗（ろくかせんきょうがのすみぬり）、２番目大切 富本、清元、長唄
浄瑠璃 新媛雛の世話事（あらぜたいひなのせわごと）、２番目３幕目 常磐津
Play: Hatsu Yagura Iro no Nibanme
Play (Jôruri): Rokkasen Kyôga no Suminuri
Play (Jôruri): Arazetai Hina no Sewagoto
Theater: Murayama
1872、壬申、明治０５、01・21 （）、
村山
比翼鶴千歳曽我（ひよくのつるせんざいそが）、４番続
初櫓潤色二番目（はつやぐらいろのにばんめ）、２番目、３幕
浄瑠璃 六歌仙狂画墨塗（ろくかせんきょうがのすみぬり）、２番目大切 富本、清元、長唄
浄瑠璃 新媛雛の世話事（あらぜたいひなのせわごと）、２番目３幕目 常磐津
Signed
Unsigned
無款
無款
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.