Advanced Search 
「大日本六十餘州之内 筑後 前伊予掾純友」
Chikugo Province: Saki no Iyo no jô Sumitomo, from the series The Sixty-odd Provinces of Great Japan (Dai Nihon rokujûyoshû no uchi)
「大日本六十餘州之内 筑後 前伊予掾純友」
Utagawa Kuniyoshi (Japanese, 1797–1861)
Other artist: Utagawa Yoshitora (Japanese, active about 1836–1887)
Publisher: Aritaya Seiemon (Japanese)
Other artist: Utagawa Yoshitora (Japanese, active about 1836–1887)
Publisher: Aritaya Seiemon (Japanese)
Japanese
Edo period
about 1845 (Kôka 2)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 37.4 x 24.9 cm (14 3/4 x 9 13/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.29792
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S36.59 ("not seen")
DescriptionMFA impressions: 11.29792, *11.42471 (deaccessioned in 2019)
From a series jointly designed by Kunisada and Kuniyoshi, with insets by various pupils of the two main artists.
From a series jointly designed by Kunisada and Kuniyoshi, with insets by various pupils of the two main artists.
Signed
Ichiyûsai Kuniyoshi ga (on main image); Monjin Ichimôsai Yoshitora ga (on inset)
一勇斎国芳画
一勇斎国芳画
Marks
Censor's seal: Watari
No blockcutter's mark
改印：渡
彫師：なし
No blockcutter's mark
改印：渡
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.