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「祇園神輿はらひ ねり物姿 叶（かのう）みんし役お蘭（らん） うぢ屋 三輪（みわ）の」
Miwano of the Ujiya as Kanô Minshi in the Role of Oran (Kanô Minshi yaku Oran), from the series Gion Festival Costume Parade (Gion mikoshi harai, nerimono sugata)
「祇園神輿はらひ ねり物姿 叶（かのう）みんし役お蘭（らん） うぢ屋 三輪（みわ）の」
Harukawa Goshichi (Kamiya Hôshû) (Japanese, 1776–1831?)
Publisher: Yamasa (Japanese)
Publisher: Kanôya Kitarô
Publisher: Yamasa (Japanese)
Publisher: Kanôya Kitarô
Japanese
Edo period
1814 (Bunka 11)
Medium/Technique
Woodblock/stencil print (kappazuri); ink on paper, with stenciled color
Dimensions
Hosoban; 33.2 x 15 cm (13 1/16 x 5 7/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.26570
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Kitagawa, "Bosuton bijutsukan..." (Kansai daigaku, 2007), p. 124; Ujlaki and Nakade, "Gion nerimono prints revisited: The list," Andon 75 (2003), GN 1814-18, photo p. 35; Ujlaki, "The Gion Parade Stencil Prints," Andon 63 (1999), p. 11, fig. 7
Description京の祇園祭の行事の一つで、芸妓たちが仮装する練物（ねりもの）を描いたシリーズ。初代叶■（王扁+民）子（かのうみんし）のお蘭役に扮した宇治屋の芸妓三輪の。 ■（王扁+民）子は文化11（1814）年、1月大坂、角の芝居「けいせい筑紫〓（つくしのつまごと）」で娘お蘭の役を、同年4月8日から京、南側芝居（みなみがわしばい）でも同一狂言（きょうげん）の同一役を演じている。 -- 田辺 昌子Ｋ
Signed
Harukawa ga
はる川画
はる川画
Marks
Publishers' marks: Yamasa, Kyô Nawate Kanôki han
画家の印章: なし
版元: 山佐 叶喜
改印: なし
画家の印章: なし
版元: 山佐 叶喜
改印: なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.