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「祇園神輿はらひ ねり物姿 三勝忍姿（「さんかつしのびすかた」） ゐのうへや 小十栄（ことえい？）」
Kotoei of the Inoueya depicting Thinking of Sankatsu (Sankatsu shinobi sugata), from the series Gion Festival Costume Parade (Gion mikoshi arai nerimono sugata)
「祇園神輿はらひ ねり物姿 三勝忍姿（「さんかつしのびすかた」） ゐのうへや 小十栄（ことえい？）」
Harukawa Goshichi (Kamiya Hôshû) (Japanese, 1776–1831?)
Publisher: Yamasa (Japanese)
Publisher: Kanôya Kitarô
Publisher: Kashiwaya Sôshichi (Kashisô, Hakusô)
Publisher: Yamasa (Japanese)
Publisher: Kanôya Kitarô
Publisher: Kashiwaya Sôshichi (Kashisô, Hakusô)
Japanese
Edo period
1814 (Bunka 11)
Medium/Technique
Woodblock/stencil print (kappazuri); ink on paper, with stenciled color
Dimensions
Hosoban; 33.7 x 15 cm (13 1/4 x 5 7/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.26564
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Kitagawa, "Bosuton bijutsukan shozô Kamigata-e mokuroku" (Kansai daigaku, 2007), p. 124; Ujlaki and Nakade, "Gion nerimono prints revisited: The list," Andon 75 (2003), GN 1814-21 (no photo)
Description京の祇園祭の行事の一つで、芸妓たちが仮装する練物（ねりもの）を描いたシリーズ。恋人赤根屋半七（あかねやはんしち）との心中物語で知られる美濃屋三勝（みのやさんかつ）の世を忍ぶ姿に扮した井上屋の芸妓小十栄。 -- 田辺 昌子Ｋ
Signed
Harukawa ga
はる川画
はる川画
Marks
Publishers' marks: Yamasa, Kanôki han, Hakusô han
画家の印章: なし
版元: 柏宗 山佐 叶喜
改印: なし
画家の印章: なし
版元: 柏宗 山佐 叶喜
改印: なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.