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「祇園神輿はらい ねりもの姿 伏見人形 近江屋 ふく助 宇吉 湯上り 宇の松」
Geisha of the Ômiya as Fushimi Dolls (Fushimi ningyô): Ukichi as Fukusuke and Unomatsu in After the Bath (Yuagari), from the series Gion Festival Costume Parade (Gion mikoshi arai nerimono sugata)
「祇園神輿はらい ねりもの姿 伏見人形 近江屋 ふく助 宇吉 湯上り 宇の松」
Japanese
Edo period
1813 (Bunka 10)
Medium/Technique
Woodblock/stencil print (kappazuri); ink on paper, with stenciled color
Dimensions
Hosoban; 33.7 x 15.3 cm (13 1/4 x 6 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.26515
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Kitagawa, "Bosuton bijutsukan shozô Kamigata-e mokuroku" (Kansai daigaku, 2007), p. 123; Ujlaki and Nakade, "Gion nerimono prints revisited: The list," Andon 75 (2003), GN 1813-19, photo p. 33
Signed
Nagahide ga
長秀画
長秀画
Marks
Publishers' marks: Yamasa han, Honjô han
画家の印章: なし
版元: 山佐 本庄
改印: なし
画家の印章: なし
版元: 山佐 本庄
改印: なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.