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Higashi no Ishi [as Yamauba] and Kane [as Kintoki] of the Ômiya, depicting Yamauba, from the series Gion Festival Costume Parade (Gion mikoshi arai nerimono sugata)


「祇園神輿洗 ねりもの姿 山姥(「やまうば」) 近江屋(おうみや) 東ノ いし かね」
Urakusai Nagahide (Japanese, active about 1805–1848)
Publisher: Yamasa (Japanese)
Publisher: Shimawa
Japanese
Edo period
1810s (late Bunka era)
Object Place: Kyoto, Japan

Medium/Technique Woodblock/stencil print (kappazuri); ink on paper, with stenciled color
Dimensions Hosoban; 34.5 x 15.4 cm (13 9/16 x 6 1/16 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.26513
NOT ON VIEW
ClassificationsPrints

Catalogue Raisonné Kitagawa, "Bosuton bijutsukan..." (Kansai daigaku, 2007), p. 124; Ujlaki and Nakade, "Gion nerimono prints revisited: The list," Andon 75 (2003), GN Bunka C-11, photo p. 41; Tsubouchi Memorial Theatre Museum, Zenki Kamigata-e (1995), vol. 1, #628
Description京の祇園祭の行事の一つで、芸妓たちが仮装する練物(ねりもの)を描いたシリーズ。山姥(やまんば)に扮した近江屋の芸妓いしと、金太郎役の舞子かね。 -- 田辺 昌子K
Signed Nagahide ga
長秀画
Marks Publishers' marks: Yamasa han, Shimawa han
画家の印章: なし
版元: 山佐 島和
改印: なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.