Advanced Search 
「唐土廿四孝 孟宗（もうそう）」
Meng Zong (Mô Sô), from the series The Twenty-four Paragons of Filial Piety in China (Morokoshi nijûshi kô)
「唐土廿四孝 孟宗（もうそう）」
Utagawa Kuniyoshi (Japanese, 1797–1861)
Japanese
Edo period
about 1848 (Kôka 5/Kaei 1)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical chûban; 24 x 16.3 cm (9 7/16 x 6 7/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.30109
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S60.2
DescriptionNo. 14 in the series.
Signed
Unsigned
無款
無款
Marks
No censor's seal
No blockcutter's mark
Collector's seal: Kyôsai nushi
改印：なし
彫師：なし
No blockcutter's mark
Collector's seal: Kyôsai nushi
改印：なし
彫師：なし
ProvenanceFormerly in the collection of Kawanabe Kyôsai; by 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.