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「青楼見立（七福神）」
A Parody of the Seven Gods of Good Fortune in the Pelasure Quarters (Seirô mitate [Shichifukujin])
「青楼見立（七福神）」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Nishimuraya Yohachi (Eijudô) (Japanese)
Publisher: Nishimuraya Yohachi (Eijudô) (Japanese)
Japanese
Edo period
about 1810s (late Bunka era)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 37.7 x 25 cm (14 13/16 x 9 13/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.24980
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Tanida Yûshi, "Seirô mitate...," in Ukiyo-e geijutsu 145 (2003), pp. 76-7 and color pl. (complete triptych)
DescriptionLeft sheet of incomplete triptych. 11.24979 is the right sheet.
Signed
Kunisada ga
国貞画
国貞画
Marks
Censor's seal: kiwame
改印：極
改印：極
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.