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「東海道五十三次細見図絵 程ヶ谷」 「道中風俗 大山参りの諸人（ひと）」
Hodogaya: People Going to Ôyama (Ôyama mairi no hito), from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)
「東海道五十三次細見図絵 程ヶ谷」 「道中風俗 大山参りの諸人（ひと）」
Japanese
Edo period
about 1845–46 (Kôka 2–3)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.6 x 24.8 cm (14 7/16 x 9 3/4 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.26143
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Hiraki Mus., Hiroshige no giga (2023), #28; Ukiyo-e shûka 14 (1981), Hiroshige list, p. 251, ôban #44.05; Tamba (Tanba), Ukiyo-e Edo kara Hakone made (1963), #157
Signed
Hiroshige ga
広重画
広重画
Marks
Censor's seal: Mura
No blockcutter's mark
改印：村
彫師：なし
No blockcutter's mark
改印：村
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.