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「東海道 四十七 五十三次之内 関 一りづか」
No. 47 - Seki: The Solitary Grave (Hitorizuka), from the series The Tôkaidô Road - The Fifty-three Stations (Tôkaidô - Gojûsan tsugi no uchi)
「東海道 四十七 五十三次之内 関 一りづか」
Japanese
Edo period
about 1850–51 (Kaei 3–4)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Horizontal chûban; 17.7 x 25.5 cm (6 15/16 x 10 1/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.26170
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Ukiyo-e shûka 14 (1981), Hiroshige list, p. 236, horizontal chûban #23.47
DescriptionStation no. 48 in the usual order. Since Shimada (no. 24) and Kanaya (no. 25) are combined in one design in this series, all numbers from 25 on are one less than the usual number for that station.
MFA impressions: 11.26170, 2009.5010.46, 2019.1974.48
MFA impressions: 11.26170, 2009.5010.46, 2019.1974.48
Signed
Hiroshige ga
広重画
広重画
Marks
Censors' seals: Mera, Murata
No blockcutter's mark
改印：米良、村田
彫師：なし
No blockcutter's mark
改印：米良、村田
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.