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Actors Ichikawa Kôzô as a Medicine Peddler (Uirô-uri), Ichikawa Kodanji IV as Hige no Ikyû, Nakayama Ichizô I as Kandera Monbei, Bandô Shûka I as Miuraya Agemaki, Ichikawa Danjûrô VIII as Hanakawado Sukeroku, Ichikawa Shinsha I as Shiratama, Onoe Shinshichi III as Daizen, Ichikawa Komazô VII as the White Sake Vendor (Shirazake-uri) Shinbei, and Ichikawa Hirogorô I as Asagao Senbei, No. 37 of an untitled series


「ういろう売」市川幸蔵、「髭の意休」四代目市川小団次、「閑寺門兵衛」初代中山市蔵、「三浦屋揚巻」初代坂東しゅうか、「花川戸助六」八代目市川団十郎、「しら玉」初代しんしゃ、「大ぜん」三代目尾上新七、「白酒売新兵へ」七代目市川高麗蔵、「朝顔仙平」初代市川広五郎 「三十七」
Japanese
Edo period
1850 (Kaei 3), 3rd month

Medium/Technique Woodblock print (nishiki-e); ink and color on paper
Dimensions Horizontal ôban; 24 x 35.7 cm (9 7/16 x 14 1/16 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.25932
NOT ON VIEW
ClassificationsPrints

Catalogue Raisonné Marks, Kunisada's Tôkaidô (2013), p. 247, fig. 64
DescriptionPlay (finale of Part 2): Sukeroku Kuruwa no Hanamidoki
Play (main feature): Hana no Yuki Takeda no Kachidoki
Theater: Nakamura
花眺雪武田勝凱(はなのゆきたけだのかちどき)
助六廓の花見時(すけろくくるわのはなみどき) 半太夫
中村、二番目大切
1850、嘉永03、03・06
Signed Ichiyôsai Toyokuni ga
一陽斎豊国画
Marks Censors' seals: Hama, Magome, shita-uri
No blockcutter's mark
改印:浜、馬込、シタ売
彫師:なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.