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Actors Bandô Shûka I as the Courtesan Agemaki; Ichikawa Omezô II as Soga no Mankô, Ichikawa Danjûrô VIII as Hanakawado Sukeroku, Actually Soga no Gorô, and Ichikawa Komazô VII as the White Sake Vendor (Shirozakeuri) Shinbei, Actually Soga no Jûrô


けいせい揚巻 初代坂東しうか、曽我の満江 二代目市川男女蔵、花川戸助六実ハ曽我の五郎 八代目市川団十郎、白酒売新兵衛実ハ曽我の十郎 七代目市川高麗蔵
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Tsujiokaya Bunsuke (Kinshôdô) (Japanese)
Japanese
Edo period
1850 (Kaei 3), 3rd month

Medium/Technique Woodblock print (nishiki-e); ink and color on paper
Dimensions Horizontal ôban; 25.2 x 36.6 cm (9 15/16 x 14 7/16 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.25929
NOT ON VIEW
ClassificationsPrints

DescriptionPlay (finale of Part 2): Sukeroku Kuruwa no Hanamidoki
Play (main feature): Hana no Yuki Takeda no Kachidoki
Theater: Nakamura
助六廓の花見時(すけろくくるわのはなみどき)、半太夫
花眺雪武田勝凱(はなのゆきたけだのかちどき)
中村、二番目大切
1850、嘉永03、03・06
Signed Toyokuni ga
豊国画
Marks Censors' seals: Mera, Murata, shita-uri
No blockcutter's mark
改印:米良、村田、シタ売
彫師:なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.