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「北条時政」四代目坂東彦三郎、「千葉之助」1.5代目尾上松緑、「江間の小四郎」初代市川猿蔵ヵ、「景清妻あこや」二代目尾上菊次郎、「悪七兵衛景清」五代目市川海老蔵、「秩父の庄司重忠」二代目市川九蔵、「重忠妹衣笠」三代目岩井粂三郎、「和田の義盛」四代目市川鰕十郎ヵ 「三十六」
Actors Bandô Hikosabûrô IV as Hôjô Tokimune, Onoe Shôroku 1.5 as Chibanosuke, Ichikawa Saruzô I (?) as Ema no Koshirô, Onoe Kikujirô II as Kagekiyo's Wife (Tsuma) Akoya, Ichikawa Ebizô V as Akushichibyôe Kagekiyo, Ichikawa Kuzô II as Chichibu no Shôji Shigetada, Iwai Kumesaburô III as Shigetada's Younger Sister (Imôto) Kinugasa, and Ichikawa Ebijûrô IV (?) as Wada no Yoshimori, No. 36 from an untitled series
「北条時政」四代目坂東彦三郎、「千葉之助」1.5代目尾上松緑、「江間の小四郎」初代市川猿蔵ヵ、「景清妻あこや」二代目尾上菊次郎、「悪七兵衛景清」五代目市川海老蔵、「秩父の庄司重忠」二代目市川九蔵、「重忠妹衣笠」三代目岩井粂三郎、「和田の義盛」四代目市川鰕十郎ヵ 「三十六」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Kobayashi Taijirô (Bunseidô / Bunshôdô)
Publisher: Kobayashi Taijirô (Bunseidô / Bunshôdô)
Japanese
Edo period
1850 (Kaei 3), 3rd month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Horizontal ôban; 25.8 x 36.8 cm (10 3/16 x 14 1/2 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.25923
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionPlay: Arigata ya O-Edo no Kagekiyo
Theater: Kawarazaki
The actor Onoe Shôroku 1.5 (also sometimes called 1.2) used the name from 1849 to 1873 but is not presently recognized as an official member of the line.
難有御江戸景清（ありがたやおえどのかげきよ）
河原崎
1850、嘉永０３、03・17
Theater: Kawarazaki
The actor Onoe Shôroku 1.5 (also sometimes called 1.2) used the name from 1849 to 1873 but is not presently recognized as an official member of the line.
難有御江戸景清（ありがたやおえどのかげきよ）
河原崎
1850、嘉永０３、03・17
Signed
Ichiyôsai Toyokuni ga
一陽斎豊国画
一陽斎豊国画
Marks
Censors' seals: Mera, Murata, shita-uri
No blockcutter's mark
改印：米良、村田、シタ売
彫師：なし
No blockcutter's mark
改印：米良、村田、シタ売
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.