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Clearing Weather at Nihonbashi (Nihonbashi no seiran), from the series Eight Views of Edo (Edo hakkei)


「江戸八景 日本橋の晴嵐」
Keisai Eisen (Japanese, 1790–1848)
Publisher: Yamamotoya Heikichi (Eikyūdō) (Japanese)
Japanese
Edo period
1843–47 (Tenpô 14–Kôka 4)

Medium/Technique Woodblock print (nishiki-e); ink and color on paper
Dimensions Horizontal ôban; 25.3 x 37 cm (9 15/16 x 14 9/16 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.25664
NOT ON VIEW
ClassificationsPrints

Catalogue Raisonné Chiba Mus., Ukiyo-e bi no kiwami (Baur coll. exh. cat., 2001), #98; another print from the series: Genshoku Ukiyo-e dai hyakka jiten 8 (1981), #321
Signed Keisai Eisen ga
渓斎英泉画
Marks Censor's seal: Watari
No blockcutter's mark
改印:渡
彫師:なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.