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狂斎百図 「実のなる木は 花からしれる 犬とさる」
The Fruit of the Tree Is Known from Its Flowers (Mi no naru ki wa hana kara shireru), Fighting Like Dogs and Monkeys (Inu to saru), from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
狂斎百図 「実のなる木は 花からしれる 犬とさる」
Kawanabe Kyôsai (Japanese, 1831–1889)
Japanese
Edo period
1863–66 (Bunkyû 3–Keiô 2)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical yotsugiri (quarter ôban); 18.6 x 12.5 cm (7 5/16 x 4 15/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.22638
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Kaikan sanjû shûnen kinen Kawanabe Kyôsai kinen bijutsukan cat. (2008), p. 103, #0791 (sheet of 4)
DescriptionMFA impressions:
Uncut sheet: 11.45393.10
Right side only: 11.22643, 11.36995, 11.45800.42
Left side only: 11.22638, 11.37007
Uncut sheet: 11.45393.10
Right side only: 11.22643, 11.36995, 11.45800.42
Left side only: 11.22638, 11.37007
Signed
Ôju Seisei Kyôsai
応需惺々狂斎
応需惺々狂斎
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.