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「小倉擬百人一首 源重之 こしもとお菊」
Poem by Minamoto Shigeyuki: The Maidservant Okiku (Koshimoto Okiku), from the series Ogura Imitations of One Hundred Poems by One Hundred Poets (Ogura nazorae hyakunin isshu)
「小倉擬百人一首 源重之 こしもとお菊」
Utagawa Hiroshige I (Japanese, 1797–1858)
Publisher: Ibaya Senzaburô (Dansendô) (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Publisher: Ibaya Senzaburô (Dansendô) (Japanese)
Blockcutter: Yokokawa Takejirô (Hori Take)
Japanese
Edo period
about 1845–48 (Kôka 2–Kaei 1)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 37.8 x 25 cm (14 7/8 x 9 13/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.22133
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Herwig and Mostow, The Hundred Poets Compared (2007), #48; Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S46.48
DescriptionNo. 48 from a series jointly designed by Hiroshige, Kunisada, and Kuniyoshi.
MFA impressions: 11.22133, 11.39588
MFA impressions: 11.22133, 11.39588
Signed
Hiroshige ga
広重画
広重画
Marks
Censor's seal: Watari
Blockcutter's mark: Hori Take
改印：渡
彫師：彫竹
Blockcutter's mark: Hori Take
改印：渡
彫師：彫竹
InscriptionsPoem: Kaze o itami/ iwa utsu nami no/ onore nomi/ kudakete mono o/ omou koro ka na
風をいたみ 岩うつなみの おのれのみ くだけてものを おもふころかな
播州の郡司皿山鉄山 一時の怒りに侍女をして 苔井の内に切沈めぬ さらぬだに女ハ五障三従の罪深しとハ 菊皿の数よむ魂や糸底の 最怪げなる譚なり
柳下亭種員筆記
風をいたみ 岩うつなみの おのれのみ くだけてものを おもふころかな
播州の郡司皿山鉄山 一時の怒りに侍女をして 苔井の内に切沈めぬ さらぬだに女ハ五障三従の罪深しとハ 菊皿の数よむ魂や糸底の 最怪げなる譚なり
柳下亭種員筆記
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.