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「小倉擬百人一首 柿本人麿 加賀千代」
Poem by Kakinomoto no Hitomaro: Kaga no Chiyo, from the series Ogura Imitations of One Hundred Poems by One Hundred Poets (Ogura nazorae hyakunin isshu)
「小倉擬百人一首 柿本人麿 加賀千代」
Utagawa Kuniyoshi (Japanese, 1797–1861)
Publisher: Ibaya Senzaburô (Dansendô) (Japanese)
Blockcutter: Matsushima Fusajirô (Horikô Fusajirô, Hori Fusa) (Japanese)
Publisher: Ibaya Senzaburô (Dansendô) (Japanese)
Blockcutter: Matsushima Fusajirô (Horikô Fusajirô, Hori Fusa) (Japanese)
Japanese
Edo period
about 1845–48 (Kôka 2–Kaei 1)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.9 x 25 cm (14 1/2 x 9 13/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.22139
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Herwig and Mostow, The Hundred Poets Compared (2007), #3; Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S46.3
DescriptionNo. 3 from a series jointly designed by Hiroshige, Kunisada, and Kuniyoshi.
Signed
Ichiyûsai Kuniyoshi ga
一勇斎国芳画
一勇斎国芳画
Marks
Censor's seal: Muramatsu
Blockcutter's mark: Horikô Fusajirô
改印：村松
彫師：彫工房次郎
Blockcutter's mark: Horikô Fusajirô
改印：村松
彫師：彫工房次郎
InscriptionsPoem: Ashibiki no/ yamadori no o no/ shidari o no/ naganagashi yo o/ hitori ka mo nemu
あし引きの 山どりの尾の しだりをの ながながし夜を ひとりかも寝む
加州松任の人にて 其性秀才風雅にして 俳道の名人なり 生涯に名句多かる中にも 夫にわかれし時に
起きてみつ寝てミつ蚊屋のひろさ哉
あし引きの 山どりの尾の しだりをの ながながし夜を ひとりかも寝む
加州松任の人にて 其性秀才風雅にして 俳道の名人なり 生涯に名句多かる中にも 夫にわかれし時に
起きてみつ寝てミつ蚊屋のひろさ哉
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.