Advanced Search
「江島記行 大森 十六番続」
Ômori, from the series Souvenirs of Enoshima, a Set of Sixteen (Enoshima kikô, jûrokuban tsuzuki)
「江島記行 大森 十六番続」
Totoya Hokkei (Japanese, 1780–1850)
Japanese
Edo period
1833 (Tenpô 4)
Medium/Technique
Woodblock print (surimono); ink and color on paper
Dimensions
Shikishiban; 21 x 17.8 cm (8 1/4 x 7 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.19845
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Ohki w/ Haliburton, Private World of Surimono (2020), checklist #152
DescriptionMFA impressions: 11.19845, 21.9276
Spring kyôka surimono for the Manji poetry club.
Spring kyôka surimono for the Manji poetry club.
Signed
Hokkei
北渓
北渓
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.