Advanced Search 
「春磐戸 其三」
No. 3 (Sono san): Ama no Uzume, from the series The Cave Door of Spring (Haru no iwato)
「春磐戸 其三」
Totoya Hokkei (Japanese, 1780–1850)
Japanese
Edo period
1820s
Medium/Technique
Woodblock print (surimono); ink and color on paper
Dimensions
Shikishiban; 21.2 x 18.6 cm (8 3/8 x 7 5/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.19834
OUT ON LOAN
On display at Nelson-Atkins Museum of Art, Kansas City, MO, September 21, 2024 – January 5, 2025
On display at Nelson-Atkins Museum of Art, Kansas City, MO, September 21, 2024 – January 5, 2025
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Rijksmuseum, The Ear Catches the Eye (2001), #63 (complete pentaptych); Polster & Marks, Surimono (1980), p. 183 (three sheets only)
DescriptionPentaptych, "11.19809, 11.19833-6": 11.19809 (CR), 11.19833 (R), 11.19834 (C), 11.19835 (CL), 11.19836 (L)
Signed
Hokkei
北渓
北渓
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.