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今源氏錦絵合 「東屋 五十」
Ch. 50, Azumaya, from the series The Color Print Contest of a Modern Genji (Ima Genji nishiki-e awase)
今源氏錦絵合 「東屋 五十」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Sanoya Kihei (Kikakudô) (Japanese)
Publisher: Sanoya Kihei (Kikakudô) (Japanese)
Japanese
Edo period
1854 (Kaei 7/Ansei 1), 2nd month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical chûban; 25.7 x 18 cm (10 1/8 x 7 1/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.20862
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Marks et al, Genji's World (2012), list #G325-50 (no photo)
DescriptionMFA impressions, all with number in circle: 01.5707, 11.20819, 11.20862, 11.20955, 2011.975.50
Signed
Toyokuni ga, in toshidama cartouche
豊国画(年玉枠)
豊国画(年玉枠)
Marks
Censor's seals: aratame, Tiger 2
No blockcutter's mark
改印：改、寅二
彫師：なし
No blockcutter's mark
改印：改、寅二
彫師：なし
Inscriptions「ふる雨にぬれまかひてもくれなる？の涙の袖を見る人やみむ 黄花楼星成」
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.