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「青楼美人六花仙 兵庫屋 花妻」 （校合摺）
Hanazuma of the Hyôgoya, from the series Beauties of the Yoshiwara as Six Floral Immortals (Seirô bijin Rokkasen)
「青楼美人六花仙 兵庫屋 花妻」 （校合摺）
Japanese
Edo period
about 1794–95 (Kansei 6–7)
Medium/Technique
Woodblock print (key block); ink on paper
Dimensions
Vertical ôban; 38.8 x 26.9 cm (15 1/4 x 10 9/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.14094
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Someya, Chôbunsai Eishi mokuroku (Chiba, 2023), #188; Ukiyo-e shûka 8 (1980), Eishi list, #13.6; Genshoku ukiyo-e dai hyakka jiten 7 (1980), #338; Brandt, Hosoda Eishi (1977), fig. 68, list no. 189; Ukiyo-e taisei 7 (1931), #504
Signed
Eishi zu
栄之図
栄之図
Marks
Censor's seal: kiwame
改印：極
改印：極
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.