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夏宵遊興 （校合摺）
View of the Sumida River from the Temporary Quarters of the Ôgiya in Nakasu
夏宵遊興 （校合摺）
Japanese
Edo period
about 1788 (Tenmei 8)
Medium/Technique
Woodblock print (key block); ink on paper
Dimensions
Vertical ôban; 38.8 x 27.3 cm (15 1/4 x 10 3/4 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.14091
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Chiba City Mus., Chôbunsai Eishi ten (2023), #86; Someya, Chôbunsai Eishi mokuroku (Chiba, 2023), #109; Jenkins et al, The Floating World Revisited (1993), #I-5; Ukiyo-e shûka 8 (1980), Eishi list, #53; Brandt, Hosoda Eishi (1977), fig. 157, list no. 81
DescriptionRight sheet of incomplete triptych.
MFA impressions: 11.14091 (R sheet only; key block), 11.14152-4 (complete triptych, color)
Beside the young man at the far right is a paper chopstick wrapper with the name "Gokyô," probably referring to Eishi's pupil Gokyô. If he was really a customer of this expensive establishment, he was probably a person of high rank.
MFA impressions: 11.14091 (R sheet only; key block), 11.14152-4 (complete triptych, color)
Beside the young man at the far right is a paper chopstick wrapper with the name "Gokyô," probably referring to Eishi's pupil Gokyô. If he was really a customer of this expensive establishment, he was probably a person of high rank.
Signed
Eishi ga
栄之画
栄之画
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.