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東海道張交図絵 「東海四 原 吉原 蒲原 由井 興津」
No. 4: Hara, Yoshiwara, Kanbara, Yui, Okitsu, from the series Cutout Pictures of the Tôkaidô Road (Tôkaidô harimaze zue)
東海道張交図絵 「東海四 原 吉原 蒲原 由井 興津」
Japanese
Edo period
about 1848–49 (Kaei 1–2)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban (harimaze); 36.3 x 25.4 cm (14 1/4 x 10 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.17207
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Ukiyo-e shûka 14 (1981), Hiroshige list, p. 251, ôban #46.04
DescriptionMFA impressions: 11.17207 (uncut sheet, Ibaya ed.), 21.8733 (Okitsu), RES.49.10 (uncut sheet, Maruya ed.)
Signed
Hiroshige hitsu (on Hara picture)
広重筆
広重筆
Marks
Censors' seals: Hama, Magome
No blockcutter's mark
Artist's seal: nine petals
No blockcutter's mark
Artist's seal: nine petals
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.