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「東海道名所之内 京 筑地承名門」
Kyoto: The Palace Wall and the Jômeimon Gate (Kyô, Tsuiji Jômeimon), from the series Scenes of Famous Places along the Tôkaidô Road (Tôkaidô meisho fûkei), also known as the Processional Tôkaidô (Gyôretsu Tôkaidô), here called Tôkaidô meisho no uchi
「東海道名所之内 京 筑地承名門」
Kawanabe Kyôsai (Japanese, 1831–1889)
Publisher: Enshûya Hikobei (Japanese)
Blockcutter: Ôta Komakichi (Hori Koma, Hori Tashichi) (Japanese)
Publisher: Enshûya Hikobei (Japanese)
Blockcutter: Ôta Komakichi (Hori Koma, Hori Tashichi) (Japanese)
Japanese
Edo period
1863 (Bunkyû 3), 5th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 37 x 25 cm (14 9/16 x 9 13/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.18128
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Kaikan sanjû shûnen kinen Kawanabe Kyôsai kinen bijutsukan cat. (2008), p. 99, #0744; Marks, "When the Shogun...," Andon 81 (2007), #59A (135); Kubo Tsunehiko and Sons Collection Ukiyo-e Hanga (2004), #18-146
DescriptionMFA impressions: 11.18128, 11.44718, 11.44839, 2009.5009.135
Signed
Ôju Kyôsai zu
応需狂斎図
応需狂斎図
Marks
Censor's seal: Boar 5 aratame
Blockcutter's mark: Hori Ôta Tashichi
改印：亥五改
彫師：彫太田多七
Blockcutter's mark: Hori Ôta Tashichi
改印：亥五改
彫師：彫太田多七
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.