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「東海道五十三次之内 日本橋 行列振出」
DEACESSIONED October 25, 2012
Nihonbashi: Daimyô Procession Setting Out (Nihonbashi, gyôretsu furidashi), from the series Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), also known as the First Tôkaidô or Great Tôkaidô
「東海道五十三次之内 日本橋 行列振出」
Japanese
Edo period
about 1833–34 (Tenpô 4–5)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Horizontal ôban; about 25.4 × 38.1 cm (10 × 15 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.17299
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Ukiyo-e shûka 14 (1981), Hiroshige list, p. 245, horizontal ôban #55.01, variant
DescriptionNo. 01 in the series, second version, with altered subtitle; published by Hôeidô alone.
MFA impressions:
First version: *06.2553 (deaccessioned in 2019), 11.23079, 11.30185, 11.42902, 21.5088, 21.5089
Second version: *11.17298 (deaccessioned in 2012), *11.17299 (deaccessioned in 2012), 11.26097, 21.5087, 2009.2411.1, RES.53.150
MFA impressions:
First version: *06.2553 (deaccessioned in 2019), 11.23079, 11.30185, 11.42902, 21.5088, 21.5089
Second version: *11.17298 (deaccessioned in 2012), *11.17299 (deaccessioned in 2012), 11.26097, 21.5087, 2009.2411.1, RES.53.150
Signed
Hiroshige ga
広重画
広重画
Marks
Censor's seal: kiwame (combined with publisher's mark)
改印：極
改印：極
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.