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「百人一首うはかゑとき 大納言経信」
Poem by Dainagon Tsunenobu (Minamoto no Tsunenobu, Katsura no Dainagon), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
「百人一首うはかゑとき 大納言経信」
Japanese
Edo period
about 1835–36 (Tenpô 6–7)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Horizontal ôban; 25.9 x 37.5 cm (10 3/16 x 14 3/4 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.17683
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
TNM, Hokusai (2005), #446; Morse, Hokusai: The One Hundred Poets (1989), #71; Ukiyo-e shûka 16 (1981), p. 228, horizontal ôban #24.27
DescriptionNo. 71 in the series.
MFA impressions: *11.1867 (deaccessioned in 2019), 11.17683, 21.6745
MFA impressions: *11.1867 (deaccessioned in 2019), 11.17683, 21.6745
Signed
Saki no Hokusai Manji
前北斎卍
前北斎卍
Marks
Censor's seal: kiwame
改印：極
改印：極
InscriptionsPoem: Yûzareba/ kadoda no inaba/ otozurete/ ashi no maroya ni/ aki kaze zo fuku
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.