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「富嶽三十六景 御厩川岸より両国橋夕陽見」
Viewing Sunset over Ryôgoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryôgoku-bashi no sekiyô o miru), from the series Thirty-six Views of Mount Fuji (Fugaku sanjûrokkei)
「富嶽三十六景 御厩川岸より両国橋夕陽見」
Japanese
Edo period
about 1830–31 (Tenpô 1–2)
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Horizontal ôban; 25.7 x 38.9 cm (10 1/8 x 15 5/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.17666
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Ukiyo-e shûka 16 (1981), p. 229, horizontal ôban #18.12
DescriptionMFA impressions: 11.17392 (no publisher's mark), 11.17548 (no publisher's mark), 11.17666 (Eijudô), 21.5367 (Eijudô), 34.315 (Eijudô)
Signed
Saki no Hokusai Iitsu hitsu
前北斎為一筆
前北斎為一筆
Marks
No censor's seal
No publisher's mark
改印：なし
版元：なし
No publisher's mark
改印：なし
版元：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.